Dr. Roderik Smits
Research Fellow in Film and Media Studies
Communication Department, University Carlos III of Madrid
My research focuses on the changing nature of the film industry. It provides a spotlight on film distribution and film exhibition as rapidly developing research areas in the context of the digital revolution. I am particularly interested in the role of gatekeepers who exert control over the process of enabling and disabling access to films in international markets.
Current Research Projects
My own research project Online Platforms and Film Circulation (January 2020 - May 2024) draws on in-depth analysis of online platforms, expert interviews and audience research. The project examines how VOD platforms engage with and support non-mainstream, specialised films to exploit their potential in the online market.
I am also a project member of the research project Diversity and Subscription Video-on-Demand Services (2020-2024). It is the first major study to study how five powerful US-owned platforms (Netflix, HBO, Amazon Prime, Apple TV and Disney+) impact on the production and circulation of audiovisual works in the Spanish market.
I have been a researcher for various major projects in the past eight years:
Beyond the Multiplex: Audiences for Specialised Film in English Regions, funded by AHRC (UK).
Mediating Cultural Encounters Through European Screens (MeCETES), funded by HERA (Europe).
I completed my PhD in Film Studies at the University of York (2014-2018) and subsequently worked as post-doctoral researcher at Cardiff University (2019) and Film University Babelsberg KONRAD WOLF (2020).
I am keen to make an impact beyond the academy. In 2021, I worked together with Thessaloniki International Film Festival (Greece) on an industry study to analyse how online developments and COVID-19 are impacting on European film festivals.
I participated as a speaker and moderator in several industry events organised by Creative Europe (EU), Thessaloniki International Film Festival (Greece), LIGHTS Frankfurt International Film Festival (Germany) and Film Expo South (UK). I also contributed as a consultant and researcher to a Creative Europe report about film distribution.
I am a reviewer for publishers such as Routlegde, Bloomsbury and Palgrave, and for journals such as Poetics, Studies in European Cinema, Television & New Media, NECSUS and L’avventura. I am also a member of the Editorial Advisory Board for the journal Arts and the Market, published by Emerald Insight.